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Brian Eno

Brian Eno

Oblique Music

by Sean Albiez and David Pattie
Hardback
Publication Date: 11/08/2016

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On the back of his published diary Brian Eno describes himself variously as: a mammal, a father, an artist, a celebrity, a pragmatist, a computer-user, an interviewee, and a 'drifting clarifier'. To this list we might add rock star (on the first two Roxy Music albums); the creator of lastingly influential music (Another Green World; Music for Airports); a trusted producer (for Talking Heads, U2, Coldplay and a host of other artists); the maker of large-scale video and installation artworks; a maker of apps and interactive software; and so on. He is one of the most feted and influential musical figures of the past forty years, even though he has described himself on more than one occasion as a non-musician.

This volume examines Eno's work as a musician, as a theoretician, as a collaborator, and as a producer. Brian Eno is one of the most influential figures in popular music; an updated examination of his work on this scale is long overdue.

ISBN:
9781441117458
9781441117458
Category:
Biography: arts & entertainment
Format:
Hardback
Publication Date:
11-08-2016
Language:
English
Publisher:
Bloomsbury Publishing PLC
Country of origin:
United Kingdom
Dimensions (mm):
228.6x152.4x17.53mm
Weight:
0.57kg
Sean Albiez

Sean Albiez is an Independent Scholar and musician. He has published on electronic music, music technology, punk and post-punk.

He is currently researching topics in electronic music history and has thirty years experience lecturing in popular music at UK universities and colleges.

He is co-editor of Kraftwerk: Music Non Stop (Bloomsbury, 2011), Brian Eno: Oblique Music (Bloomsbury, 2016), and The Velvet Underground (Bloomsbury, 2022), and Contributing Editor (Music Technology) for the Bloomsbury Encyclopaedia of Popular Music of the World. He produces electronic music as ghost elektron and - with Martin James - as Nostalgia Deathstar.

David Pattie

David Pattie is Associate Professor in Drama and Theatre Arts at the University of Birmingham, UK. He researches and publishes in a number of areas; popular music performance and culture, contemporary British and Scottish theatre, and the work of Samuel Beckett.

He is the author of Rock Music in Performance (Bloomsbury, 2007), and the co-editor of the books Kraftwerk: Music Non Stop (Bloomsbury, 2011) and Brian Eno: Oblique Music (Bloomsbury, 2016), and The Velvet Underground (Bloomsbury, 2022).

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